| Motifs and Meaning | What is Kilim? | ||
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Before we begin to address the subject of kilim nomenclature there is one point to be clarified, mainly for those first entering the realm of the kilim. Although at times you may find kilim rugs included in the general genre of "oriental rugs", in more accepted practice kilim rugs are in a class of their own, and it is then generally understood that the term "oriental rug" refers to pile rugs, a category which includes carpets. The difference between a kilim rug and a carpet or pile rug is that whereas the design visible on the kilim is made by interweaving the variously colored wefts and warps, thus creating what is known as a flatweave, in a pile rug individual short strands of different color, usually of wool, are knotted onto the warps and held together by pressing the wefts tightly against each other. In this case the whole design is made by these separately knotted strands which form the pile, and the patterns become clearly visible after any excessive lengths of the knotted materials are shorn off to create a level surface. Having thus differentiated between a kilim rug (pileless) and a carpet (with pile) you might think that's all there's to it. Well, not quite. Kilim, a word of Turkish origin, denotes a pileless textile of many uses produced by one of several flatweaving techniques that have a common or closely related heritage and are practiced in the geographical area that includes parts of Turkey (Anatolia and Thrace), North Africa, the Balkans, the Caucasus, Iran, Afghanistan, Pakistan, Central Asia and China. We believe this definition to be correct though incomplete, because, as all kilim lovers know, no words can convey the romance of the kilim. We try to fill this void by teaching you making kilims with the traditions, culture and heritage of kilim-making to make the romance live - and we hope you enjoy it. |
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| Vegetable Dyes | |||
The wool in Oriental rugs are colored with dyes made from natural sources; mostly plants and insects. Cochineal is obtained from the Dactylopius coccus insect found in cacti, but the bulk of the reds were derived from the root of wild madder, blue from the indigo plant, yellow from saffron, isperek (milkwort), vine leaves and pomegranate, and also from buckthorn. Green came from turmeric berries, blacks and greys from brazil or logwood, brown from nuts and tree bark. These materials, carefully blended according to closely guarded recipes handed down from generation to generation, produced colors the hues of which cannot chemically reproduced even today. |
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